290 Royalty-Free Audio Tracks for "Harmonic Sevenths"

*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.

Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64

Ich steh an deiner Krippen hier, melody, basso & harmonization: Johann Sebastian Bach (BWV 469); replenishment of basso, transposition to A minor & sound file: Rabanus Flavus (Peter Gerloff)

Dominant seventh tritone resolution chords, As MIDI

Dominant seventh with root doubled and missing fifth resolving to I, in C.

Dominant seventh in Monteverdi's "Lasciatemi Morire" ("Oh, Let Me Die"), Lamento_d'Arianna. Created by Hyacinth (talk) 09:44, 12 January 2012 (UTC) using Sibelius 5.

Auf, auf, mein Herz, mit Freuden, melody by Johann Crüger (1598 – 1662), basso and harmonization by Johann Sebastian Bach (1685 – 1750), Bach-Werke-Verzeichnis (BWV) 441, adapted to Crüger's original melody by Rabanus Flavus (Peter Gerloff) Auf, auf, mein Herz, mit Freuden, Melodie von Johann Crüger, Bass und Harmonisierung von Johann Sebastian Bach (BWV 441), angepasst an Crügers Originalmelodie (Evang. Gesangbuch 112) von Rabanus Flavus (Peter Gerloff)

Dominant seventh in C in first inversion

viio7 in G major, on the guitar.

Dominant seventh chord on C, played on guitar in open position.

Dominant seventh chord on C, played on guitar, barre chord.

Augmented chord progression: I+65 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified].

Harmonics at the 12th fret of a guitar. Clean sound, finger picked, chimey and bell-like.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

7sus4 chord on C

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

bdim7=do7=fo7=a♭/g♯o7 and it's enharmonic equivalents resolving (b7 to C).

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving. (fo7 to G-flat)

Dominant form chord: Half-diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.

Diminished seventh chord to dominant cadence (bo-e7-A7-D).

Inspired by beat mapping a flock of crows chirping; i mapped my own rhythm and beat using a variety of sounds. I don't believe such an instrument exists but it sounds lovely. If you wish to use this, credit my name; otherwise enjoy.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

Clean electric guitar harmonics.

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Created in the sampler from hand drum hit and processing.

Hps mode output harmonic part.

Hps mode output stochastic part.

Hps mode output stochastic re-synthesized.

The reconstruction of the harmonica1. Wav. This sound comes from freesound with license creative commons 0. I've analyzed it with the models_gui of the sms-tools repository of the audio signal processing for music applications course from the university pompeu fabra. They told me to use one sound for my week 7 assignment and to make some analysis and synthesis on it. I do not know where they took it. For more information ask xavier serra. Https://www. Freesound. Org/people/swapnil_gt/sounds/255115/.

Original sound: http://freesound. Org/people/orpheuz/sounds/258090/. Harmonic sound extracted with sms-tools, hps model, with parameters:windowtype: blackmanwindowsize (m): 1765fftsize (n): 2048# parameters to identify peaks and harmonics:magnitude threshold (t): -100min duration: 0. 1max number of harmonics: 147min f0: 250max f0: 400max error in f0 detection: 7max freq dev in harmonic tracks: 0. 01stochastic approximation factor: 0. 2.

Harmonics plucked on a taylor guitar.

This is used by system of a down's co-leader daron malakian in the song suite pee. Making the harmonics sound on the guitar, just putting the finger close to the strings.

Made in korg gadget. Chicago.

I don't know how to play the harmonica, but as a kid i always played blow it somehow. This was an experimentation with her. Performed by anamín lizama. Recorded indoor with tascam dr-40.

A few notes from a flute; rich harmonics. Http://www. Freesound. Org/people/egovind/sounds/256913/.

Dominant seventh flat five chord on C - As MIDI

Augmented chord progression: I+75 IV. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Leading-tone diminished seventh chord as dominant in Mozart's Don Giovanni, K. 527, Act I, Scene XIII, mm.116-117.

A regular drinking glass being bowed with a cello bow. Recorded with a zoom h1.

Residual output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus residual model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01.

Synthesis output sound obtained by analysis and synthesis of sound speech-female. Wav (http://freesound. Org/people/xserra/sounds/317745/) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 2019, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 1, maximum number of harmonics = 100, minimum fundamental frequency = 80, maximum fundamental frequency = 300, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 7.

Synthetic harmonic drone.

Synthetic harmonic drone.

Stochastic synthesis output sound obtained by analysis and synthesis of veena concert sound (https://www. Freesound. Org/people/anjds/sounds/377315/ ) with harmonic plus stochastic model implemented in the sms-tools software package (http://github. Com/mtg/sms-tools)parameters used in analysis are :- window type = blackman, window size(m) = 1575, fft size(n) = 2048, magnitude threshold in db(t) = -100, minimum duration of harmonic tracks = 0. 01, maximum number of harmonics = 100, minimum fundamental frequency = 100, maximum fundamental frequency = 800, maximum error in f0 detection algorithm = 5, max frequency deviation in harmonic tracks = 0. 01,stochastic approximation factor = 0. 2.